Lioness of Trancetopia emerged from the worldwide CybeRave trance underground — a sprawling decentralised scene known as CyberDreamScape that exists across encrypted networks and temporary dancefloors that appear and disappear without warning. She is one of its most recognised DJs, known for sets that run deep into the late hours and don't stop until something shifts.

As a music producer she works in trance and house — melodic, driving, built for sustained movement. Her tracks are designed to carry people through the night. The sound is expansive, layered with synthesised emotion and forward momentum. You don't listen to her music so much as move through it.

But she doesn't stop at the dancefloor. Under the Lioness of Trancetopia signal she hosts the AncientXCyber podcast — a transmission that explores ancient history the mainstream refuses to touch. Subjects that the gatekeepers have decided are too controversial, too destabilising, too inconvenient. She broadcasts them anyway, reaching an audience that wants the conversation to go further than the approved narrative allows.

On the Phonographic.LGBT pirate radio network she holds the latenight sessions — the hours when the signal goes deepest and the audience is whoever is still awake and still listening. No schedule. No format. Just the music and the frequency.